Jeanne Moutoussamy-Ashe and the Last Gullah Islands

Dec 5, 2024–May 1, 2025


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 From the Collection

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American artists have long engaged with the South Carolina and Georgia Sea Islands through their work, drawn to it by personal or ancestral connections, or by the region’s complex cultural and environmental history. Photographs by Carrie Mae Weems’ show the interplay of Gullah spiritual traditions with the natural environment, while Erin Jane Nelson’s ceramic sculpture functions as a kind of time capsule, encompassing Daufuskie Island’s unique geological history and forecasting its uncertain future in the face of climate change. Explore these works and others from the Whitney’s Collection here.

Alfred Hutty, Edisto Live Oak, 1944

Etching of a large tree with hanging moss, a person standing nearby. The scene is serene, with detailed shading and a signature at the bottom.
Etching of a large tree with hanging moss, a person standing nearby. The scene is serene, with detailed shading and a signature at the bottom.

Alfred Hutty, Edisto Live Oak, 1944. Drypoint, 7 × 7 5/8in. (17.8 × 19.4 cm) Plate: 2 1/2 × 3 3/4in. (6.4 × 9.5 cm). Whitney Museum of American Art, New York; purchase, with funds from The Lauder Foundation, Leonard and Evelyn Lauder Fund 96.68.164



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On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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