Jeanne Moutoussamy-Ashe and the Last Gullah Islands

Dec 5, 2024–May 1, 2025


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Daufuskie Island: Photographs by Jeanne Moutoussamy Ashe, 1982/2009

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A selection of Moutoussamy-Ashe’s photographs of Daufuskie Island were first published as a book in 1982, and included a foreword by Alex Haley, author of Roots: The Saga of an American Family. For the book’s 25th anniversary edition, the artist returned to her original contact sheets and expanded upon her earlier selection, organizing the images into four categories: “The People,” “Place,” “Everyday Life,” and “Spiritual Grace.” Portraits of children and elders, images of homes and the shoreline, people at work and at rest, church services, and burials together form an impression of a community on the cusp of great change. The commitment to protecting and amplifying legacy reflected in this publication also led to Moutoussamy-Ashe’s 1986 historical survey, Viewfinders: Black Women Photographers, and Daddy and Me, a 1993 picture book documenting the relationship between the artist’s husband, tennis legend Arthur Ashe, and their daughter, during Arthur’s decline from AIDS.

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Girl in Screen Door, South Carolina, 1977, printed 1997

A person in a white shirt stands behind a screen, looking contemplative with a hand on their chin.
A person in a white shirt stands behind a screen, looking contemplative with a hand on their chin.

Jeanne Moutoussamy-Ashe, Girl in Screen Door, South Carolina, 1977, printed 1997. Gelatin silver print, 13 1/8 × 8 13/16in. (33.3 × 22.4 cm). Whitney Museum of American Art, New York; gift of Michael I. Jacobs in honor of Sylvia Wolf 2001.191. © Jeanne Moutoussamy-Ashe



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Maya Man, A Realistic Day In My Life Living In New York City

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