1947 Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings

“. . . the ensemble is extremely varied; but more radical modes predominate—this being in line with what appears to have become an established Whitney policy.” —The New York Times

“The Whitney has committed itself to a progressive attitude. If room be also found for work much more conservative, the tonnage is slight as compared with that allowed experimentation and evidence of changing approach.” —The New York Times