Vida Americana: Mexican Muralists Remake American Art, 1925–1945

Feb 17, 2020–Jan 31, 2021


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Abelardo L. Rodriguez Market

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The Abelardo L. Rodriguez Market in Mexico City was the most important Mexican urban renewal project of the 1930s. Named in honor of the revolutionary general who served as the country’s president from 1932 to 1934, the market was designed to replace the city’s congested street markets with a modern facility that would also serve as a cultural and educational space, housing not only a market but also a daycare center, theater, pharmacy, dance hall, and library. Murals portraying the production and distribution of food and the importance of hygiene and health were to cover the market’s interior. Diego Rivera was technical director of the mural project, tasked with advising the artists and approving their final sketches, but their actual work was overseen by the American-born artist Paul Stevenson, who had settled permanently in Mexico in 1924 and changed his name to Pablo O’Higgins. Of the ten artists who created murals for the market, four were American: O’Higgins, the sisters Marion and Grace Greenwood, and Isamu Noguchi. All of the Mexican artists—Ramón Alva Guadarrama, Ángel Bracho, Raúl Gamboa, Antonio Pujol, Pedro Rendón, and Miguel Tzab Trejo—were former Rivera assistants. Encouraged by O’Higgins to depict present-day realities of exploitation and misery as straightforwardly as possible, the American muralists avoided affirmative images of hygiene and food production in favor of those emphasizing the social and economic injustices suffered by agricultural and urban workers at the hands of capitalists. Noguchi expanded this directive, including a swastika among other images in his mural to suggest “the machinery of war, coercion, and bigotry.”


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On the Hour

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Maya Man, A Realistic Day In My Life Living In New York City

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