Vida Americana: Mexican Muralists Remake American Art, 1925–1945

Feb 17, 2020–Jan 31, 2021


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Siqueiros in Los Angeles

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David Alfaro Siqueiros was the most politically and artistically radical of the leading Mexican muralists, believing that art must be revolutionary not only in its political content but in its materials and techniques. Of the three murals he made in Los Angeles in 1932, Tropical America has proven the most lasting in its significance. Siqueiros’s encounter in Los Angeles with industrial technology and the Hollywood movie industry was formative in his artistic development, leading him to adopt the tools of industry—spray guns, blowtorches, airbrushes, and photo projections—and to establish a collectivist approach to art making, both of which aligned with his Communist ideology. The “Bloc of Mural Painters,” as he called his collaborator-assistants, included artists Luis Arenal, Philip Guston, Reuben Kadish, and Fletcher Martin. They were deeply influenced by Siqueiros’s aesthetic, especially his union of the sweeping rhythms of European Baroque art with the solid, monumental forms of Olmec and Aztec sculpture. As Kadish later asserted, “Siqueiros coming to L.A. meant as much then as did the Surrealists coming to New York in the Forties.”

Alfredo Ramos Martínez, The Bondage of War, 1939


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Maya Man, A Realistic Day In My Life Living In New York City

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