Vida Americana: Mexican Muralists Remake American Art, 1925–1945

Feb 17, 2020–Jan 31, 2021


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Romantic Nationalism and the Mexican Revolution

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In an effort to unify Mexico after ten years of civil war, the country’s new government sought to construct a shared understanding of Mexican identity and national history. Central to this was the celebration of rural Mexico’s landscape, customs, and people—a sharp repudiation of the veneration of European culture that had existed among Mexico’s ruling class before the revolution. Mexican artists began to portray the country’s Indigenous and largely agrarian population as symbols of national pride and to depict Emiliano Zapata, who led the people’s heroic fight for land reform, as the defining hero of postrevolutionary Mexico. From a contemporary perspective, the idealized portraits of Mexico’s Indigenous peoples created by both Mexican artists and those visiting from abroad may be seen as having reduced their subjects to stereotypes that reinforce their marginalized status within a social system that privileged European heritage. At the time, however, painters, photographers, and filmmakers embraced a romanticized vision of rural Mexico as the embodiment of a simpler, more spiritually authentic way of living in contrast to the alienation and isolation of modern urban and industrial life.

Frida Kahlo, Me and My Parrots, 1941

A painting of a woman with parents on her shoulders and in her arms.
A painting of a woman with parents on her shoulders and in her arms.

Frida Kahlo, Me and My Parrots, 1941. Oil on canvas, 32 5/16 × 24 3/4 in. (82 × 62.8 cm). Private collection. © 2020 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York


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Maya Man, A Realistic Day In My Life Living In New York City

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