Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art

July 13–Sept 30, 2018


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Jorge González

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Jorge González’s work draws inspiration from Puerto Rican vernacular traditions, modernist architecture, and Taíno art and cultural expressions. For this exhibition, he has created a site-specific installation titled Ayacabo Guarocoel. The two main elements —the accordion-like roof and the the enea (cattail) walls—represent the meeting of two vernacular traditions on the island. Gonzalez also displays a number of Taíno objects and furniture pieces, newly made by the artist and local artisans in Puerto Rico. Each object present in his space will be made with locally sourced materials, using traditional weaving and construction methods. Bringing forth ideas of collective learning and the sharing of Indigenous craft methodology across generations, the installation also serves as a tribute to the families that have preserved and disseminated the use of materials, techniques, and designs native to the island. González invites the public to activate the space by engaging in readings and performers will lead formal readings throughout the duration of the exhibition. He will also lead a ceramics workshop.

Jorge González, 359 dias en 19 meses (359 days in 19 months) at Embajada, Puerto Rico

Room with thatched walls and chairs.
Room with thatched walls and chairs.

Jorge González, dyed cotton stools seen in the exhibition 359 dias en 19 meses (359 days in 19 months) at Embajada, Puerto Rico. Image courtesy of Embajada, Puerto Rico


Artists


Explore works from this exhibition
in the Whitney's collection

View 12 works

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

Learn more about this project

Learn more at whathappensontheship.space/artport

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