Whitney Biennial 2024: Even Better Than the Real Thing

Mar 20–Aug 11, 2024


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Maja Ruznic (she/her)

53

Floor 5

Born 1983 in Brčko, Bosnia and Herzegovina (Yugoslavia)
Lives in Placitas, NM

Maja Ruznic’s paintings often combine difficult subject matter with seductive color and a sense of spirituality. Deep Calls to Deep was inspired by a childhood memory from her time in an Austrian refugee camp after fleeing the war in Bosnia. She describes the work as a depiction of feeling utterly alone and also a moment of initiation, in which her past traumas forged into her identity as an artist who would pursue painting as a form of healing.

Ruznic has said that The Past Awaiting the Present/Arrival of Drummers “looks at how multiple things can be true at the same time: birth, violence, pain, suffering, joy, and music.” She has described the horizontal format of the painting as inherently linear, implying a past, present, and future. The movements suggested by the figures’ feet—some in profile and others pointed toward the viewer—collapse these temporalities into a single symbolic image.

The Past Awaiting the Future/Arrival of Drummers, 2023

Colorful abstract painting with stylized human figures and geometric shapes.
Colorful abstract painting with stylized human figures and geometric shapes.

Maja Ruznic, The Past Awaiting the Future/Arrival of Drummers, 2023. Oil on linen, 99 1/2 × 151 1/2 × 2 1/2 in. (252.7 × 384.8 × 6.4 cm). Collection of the artist. © Maja Ruznic. Courtesy Karma. Photograph by Brad Trone

On the Hour

A 30-second online art project:
Maya Man, A Realistic Day In My Life Living In New York City

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Learn more at whathappensontheship.space/artport

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